Erol Sabadosh, known first and foremost for his
prolific status as a talented and well-respected DJ, is a man who attempts to
not only encompass London creativity through his own work, but also play host
to it at his weekly nights, WYLD Wednesdays.
Here, young creatives can gather in
an inspirational environment, safe in the knowledge that they are in the
company of a ‘carefully selected’ crowd allowing for maximum networking
potential.
His musical talents are vast. Unlike
most DJs, Sabadosh does not possess an ear for one particular musical genre but
instead takes pleasure in the distortion of the boundaries between many. In
this way he cleverly appeals to no one specific audience but alternatively
becomes a site of unification for music lovers in general. His catwalk
soundtracks also function as independent mixes, the most noteworthy being the
SS12 mix for Lako Buki: in this eclectic mix, subtle piano notes are seamlessly
woven on top of electronic beats. He has also Dj’ed at, as well as organised
Fashion Week after parties, reveling in his prolific position in the fashion
scene. Therefore as well as merging musical genres he also merges creative
fields, unable to contain his talents to one particular area. He fuses fashion
and music together revealing their co-dependency. 1883 Magazine had a chat with Erol about his variety of projects and talents as well as
getting his informed, personal recommendations for the best nights in London.
Have you always
been interested in fashion?
My interest in fashion grew out of my
exposure to the industry through friends actually, somehow I ended up befriending
a lot of people that worked in fashion or wanted to break into it and so they
brought me into that world. I think the fashion industry can be extremely
beguiling and alienating to somebody outside of it; people either look at it as
this glamorous and intimidating entity that’s difficult to penetrate or they
dismiss it as something elitist and shallow, when of course it’s incredibly
diverse, complex and involves a lot of artistry. My pursued interest in fashion
stemmed from my natural inclination to find out more about something I didn’t
really know a lot about, rather than desiring to actually work within the
industry from the get-go, but the more immersed I became the more inspired I
felt by it and now it’s a big part of my life.
Who do you think is
an important new designer to watch right now?
For SS12 I wanted to find some
up-and-coming talent in London to promote, seeing as I sort of jumped straight
into doing things for big established brands, so I looked around and I found
two designers that I really liked; T. Lipop and Lako Bukia, both of whom I
ended up doing catwalk soundtracks for and both of whom I want to continue to
work with. They’re both ambitious, smart and have a very clear vision, which I
think is clearly evident in their work. Lako’s collection was stunningly
elegant and mature and Lipop’s progression from the previous season to SS12 was
very impressive so I’m really keen and excited to see where he goes next. I
have high hopes for them both.
Would you ever
consider becoming more involved in fashion and designing your own collection?
I think I’ll leave the actual
designing to real designers, but I’d definitely love to collaborate with a
designer some day and help launch a collection by promoting it and being
involved in some way. I wouldn’t want to assume the role or guise of an actual
designer though, I see myself as a DJ, musician & producer first and
foremost.
Was it always your
intention to fuse fashion and music with your career?
Definitely not, I’ve come from a
music oriented background rather than a fashion background, music is something
I’ve grown up with whereas fashion was something I chose to explore later on,
but fusing the two has happened almost naturally for me due to the people and
things I’ve been exposed to living in London and the circles that I’ve operated
in. Music and fashion feed off of each other as much as film and music or
fashion and film.
You have your own
night (WYLD WEDNESDAYS) what do you think is the recipe for the successful
night?
I’d say the recipe for success with
anything is hard work, honesty and perseverance. With Wyld Wednesday there’s
been a lot of hard work gone into creating a club night that is not only a
great networking hub for young creatives and established talent, but one that
also delivers good music and a vibrant atmosphere.
Are there any club
nights, excluding Wyld Wednesdays that you would personally recommend?
Ponystep, Circus and Shabba-dabba-da
are always guaranteed fun with their own dedicated following, and Vikings with
Joe & Will Ask is a great night that focuses on cutting edge music.
You’ve been
photographed with P. Diddy and Mischa Barton among many others but you believe
that celebrity culture has grown out of hand. However, do you think
that your celebrity connections are in-expendable in raising your profile?
Not particularly; I think it’s ironic
that celebrity culture is so heavily focused on reality television these days,
and I find it bizarre when people take it too seriously. I personally don’t
watch television or actively read tabloids so when people talk about this kind
of stuff it tends to go over my head. I meet a fair amount of celebrities on a
regular basis but I don’t treat anybody differently. I admit I was a little
star struck when I met Scarlett Johansson the other week at the Wyld Bar where
I have my residency, but that’s the only time in as long as I can remember when
I’ve felt the power of anyone’s celebrity status have any kind of affect on me
personally, and to be honest in this case I think it was the fact that Lost in
Translation & Ghost World are two of my favourite films which helped elicit
that kind of reaction from me. Establishing celebrity connections can be a bit
of a minefield, so I focus on being as good as I can at what I do as I’d rather
be judged on my talent, skill and output rather than any other kind of
association.
What is your
musical background?
I started playing the guitar from a
young age; I wanted to learn an instrument and I naturally gravitated towards
the guitar for some reason. I spent a lot of time listening to rock and blues
and that really influenced me a lot in terms of my style at the time and my
outlook.
Was there a
particular figure that inspired you to be a DJ?
Not really, my passion for DJing
evolved primarily from my desire to share music with people because I was so
obsessed with it myself, so it wasn’t a case of me idolising anybody or
deciding that I just wanted to be a DJ for the sake of being a DJ, it just made
sense since I was so immersed in all kinds of music across the spectrum. I
really am a music geek but I don’t snub any genres so I get to enjoy a lot of
music, which is great!
You have recently
remixed Lana del Rey, Arcade Fire and The Strokes – is there any song you would
particularly like to remix that you haven’t already?
I love remixing, to take a song and
give it your own spin is a very creatively satisfying endeavour, especially if
it’s a song that you feel a particular connection with or that you feel would
be interesting to push in a different direction. I enjoy taking a track and
defying its original genre by taking it somewhere new and delivering it to a
different audience. The greatest songs transcend their genre, and to a certain
extent their authors as well. There are so many songs I would want to remix I
wouldn’t even have the time. Last night I started remixing I Wanna Be Down by
Brandy just because I wanted to see if I could make it sound really soulful.
You’ll hear it soon I’m sure!
Out of all the
fashion shows, parties and festivals that you have played at, which has been
the most enjoyable?
I really enjoyed DJing for Circus at
Lovebox festival, I definitely want to do more festivals next year. The
atmosphere when such a large amount of people come together to dance and
appreciate good music and talent is always magic. Next year I want to do more
travelling too, I’d really like to DJ in places like L.A., Berlin and
Tokyo.
Words by Morgan Meaker
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